How many universes can pass before one's eyes? How many memories can be actually shared? This performance is part of an ongoing research process based on the mapping of daily realities, existing political turbulence, discomfort, uneasiness, but also pleasure and intimacy, where the performer constructs her own fictions on stage through improvisation. She composes a spatial puzzle as fragmented and chaotic as her worlds/words, exploring strategies of transformation, constant change, resignation, abandonment, while proposing an encounter through touch, tenderness and harshness; she attempts to bring to the fore narratives beyond language, on the verge of enjoyment and annoyance, disappointment and pleasure, where ultimately, everything is tangled, creating a grip of experiences, a fragmented archive to find ourselves in.