18:30 | Sam Beddegenoodts, Kavka (screening) - Oudaan 15
19:00 | Dalida GA, Kavka ( performance) - Oudaan 15
19:30 | Elisabeth Van Dyck, CONIX (dance) - Mechelsesteenweg 64/001
19:30 | Jazz Sanusi, Hilde Cornelissen (music) - Arenbergstraat
20:00 | Dalida GA, M127 (performance) - Mechelsesteenweg 127
Elisabeth Van Dyck
Plotter
“PLOTTER” was my bachelor’s project in which I tried to find a way to translate movement into a physical document. The 20 participating dancers traced their movements on a 72- square-meter floor by dancing with black paint on their hands and feet. The contact points with the floor therefore became an essential factor. It was a play between gravity, movement, a carrier, and a medium. The result of this is a large ‘painting’ or ‘tracing’ of the nine pieces danced in PLOTTER.
How can dance be archived besides videotaping it? How do we preserve an art form that is meant to be experienced? How do we give these choreographies eternal life?...
Sam Beddegenoodts
‘A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter.’ - Rachel Verona Cote.
Muchness is a term from Anglo-Saxon feminist studies that describes feeling/experiencing being too much. In the Dutch language, there is no direct translation for this with the same connotation.
Muchness, as opposed to being too much, sounds positive to my ears. Something to look up to, to yearn for. From this conviction, the research into muchness began. Using examples from history, I am paving a path to find my own interpretation.
In this screening of the short film ‘Much of the Muchness’, we will delve deeper into the origins of muchness, the underlying stories of the sculptures and how they are an ode to muchness.
Jazz Sanusi
Jazz Sanusi is a singer-songwriter that feeds on live stages. She grew up with an undeniable love for music with an old soul and gravitated toward Jazz and Rhythm and Blues. Today she fuses that profound love of HipHop, Rnb, and Soul into her own sound. Her music collides universal themes with unique experiences. Finding inspiration in introspection, whatever defies stereotypes with genuity.
13:00 | Dalida GA, Heilige Geest Parochie (performance)
14:00 | Moryana Filipova, Kavka (performance)
15:00 | Sam Beddegenoodts, Kavka (screening)
16:00 | Moryana Filipova, Kavka (performance)
16:30 | Dalida GA, N.Vrouyr (performance)
Dalida GA
In Things that Fall, the performer shoots maple seeds into the air, allowing them to dance and twirl, mimicking their natural descent. This act becomes a reflection on the transience of all things.
Moryana Filipova
Moryana Filipova is a costume designer from Sofia, Bulgaria, born in 2000. Her artistic journey began early, influenced by music, performance, and visual art, which ignited her passion that would shape her future artistic practice.
Inspired by extensive concert experiences, Moryana crafts pieces that are both visually impactful and rich in storytelling. She skillfully weaves, connects and enlarges jewelry into costumes, capturing music's emotional essence. For Moryana, music is deeply significant, connecting her to her roots.
Sibran Sampers
Engerlingen
´Engerling´ is een performatieve schets, een voorstudie voor een theatervoorstelling. Beeldend kunstenaar Sibran Sampers kruipt in de huid van de engerling, de larve van de mestkever, en onderzoekt zodoende waarom een mens dàt in godsnaam zou willen doen.
Eerder dit jaar werkte Sampers rond het waterschrijvertje, het haast mythische insect waarover Guido Gezelle één van z'n meest bekende gedichten schreef. Je zou kunnen zeggen dat het een breed artistiek onderzoek naar ecologie en totemisme is.
Sibran Sampers (1991°) studeerde kunstwetenschappen aan UGent en Autonome Vormgeving aan het KASK.
Tristan Rio
Kom binnen in een hypnotiserende, psychedelische wereld waar geluid de grenzen van de realiteit overstijgt. Tristan Rio neemt je mee op een muzikale reis waarin tijd vertraagt en de grens tussen droom en werkelijkheid vervaagt.
Met een unieke sound die het kruispunt vormt tussen psychedelische rock, experimentele klanken en minimalistische composities, nodigt Tristan je uit om je volledig onder te dompelen in de ervaring. Alles wordt live opgebouwd en gelooped, zonder vooraf opgenomen tracks, wat van elke show een unieke, authentieke belevenis maakt.
